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Monday, August 31, 2009

[LA NP Examiner] Fictional film 'Inglourious Basterds' hyped while true story of revenge hidden

In his Variety review entitled Inglourious Basterds, Todd McCarthy writes:
Never less than enjoyable and more than that in the second half, "Basterds" is divided into five "chapters," the first being "Once Upon a Time in Nazi-Occupied France." Wording not only reflects the Sergio Leone-style nature of the opening scene, in which notorious Nazi "Jew Hunter" Col. Hans Landa (Christoph Waltz) arrives at a farmhouse to ferret out a hidden Jewish family, but honestly reflects the fantastical nature of the narrative to come.
[For more information about the film, see the NY Times article entitled Inglourious Basterds (2009): Tarantino Avengers in Nazi Movieland by Manohla Dargis.]

Because this movie is fictional, its content need not be factual. Yet as historical fiction, the film should have some connection to the historical reality. In occupied France, Jews were typically rounded up by French police or the Gestapo, which was technically under the SS but was administered by the Reichssicherheitshauptamt (State Security Main Office) and was an a suboffice of the Sicherheitspolizei (SIPO or security police). The SS, SD, SIPO, and Gestapo did not use military ranks like colonel (Oberst) but had their own separate rank hierarchy. Landa should have been identified as a Police or Gestapo Colonel (Standartenführer). The idea of even a rank as low as a Police or Gestapo Captain (Hauptsturmführer) conducting solo investigations to ferret out Jews is quite ridiculous.

In the pop cultural environment created by movies like Inglourious Basterds, which depict Hollywood Nazis as the personification of absolute evil, Zionist Hasbarah (propaganda),
  • which Nazifies legitimate Palestinian resistance to Zionism,
  • which the organized Jewish community and numerous Israel advocates are trying to render pervasive throughout German and world culture, and
  • which is discussed in Zionist Hate Crime in Germany,
is incitement to hatred and violence against Palestinians, Arabs, Muslims.

Right now by attempting falsely to depict Grand Mufti Haj Amin el-Husseini as an anti-Semitic genocidal Nazi collaborator, Benjamin Weinthal, Karl Rössler, the UferHallen Gallery, Maya Zehden, and Heinz Buschkowsky are engaging in the commission of a serious hate crime under German law. The German Police should start arresting the perpetrators, shut down the UferHallen Gallery, and seize this criminal exhibit. In the aftermath of the Marwa al-Sherbini murder, Germany has a duty to act swiftly against the Zionist, Arabophobic, and Islamophobic hate-mongers.


In the aftermath of the Gaza Rampage, countless Zionist crimes against humanity, and the current Jewish-Zionist black market organ-trading skandal, I am waiting for the Hollywood movie whose heroes are avenging crimes committed by Zionists representing the personification of absolute evil. I won't hold my breath.

The review below provides some perspective on the pop cultural distortion that movies like Inglourious Basterds represent.

Over the last year or so, there have been countless movies about the Nazis and the Holocaust, such as the “The Reader,” “Valkyrie,” “Defiance” and “The Boy in the Striped Pajamas.” A popular new film, the "Inglorious Basterds" directed by Quentin Tarantino and produced by the Weinstein brothers is promoted by Hollywood and the press as a fictional tale of a group of Jewish American GI's led by a redneck Lieutenant played by Brad Pitt, who seek vengence against the Nazi's in occupied France during WWII. Throughout the film there are many gruesome scenes of vengence, including scalpings and torture.

Eli Roth, who plays a leading role in the film as the "Bear Jew", says that the idea of vengence is "...almost a deep sexual satisfaction of wanting to beat Nazis to death, an orgasmic feeling. My character gets to beat Nazis to death. That’s something I could watch all day. My parents are very strong about Holocaust education.” On a similar note, one of the films producers, Lawrence Bender told Tarantino that “As your producing partner, I thank you, and as a member of the Jewish tribe, I thank you, motherf--ker, because this movie is a f--king Jewish wet dream.”

In the ADL Statement they say that the film "...is an allegory about good and evil and the no-holds barred efforts to defeat the evil personified by Hitler, his henchmen, and his Nazi regime. If only it were true!"

There is no need to come up with a fictional story while there is a true chapter of WWII history most people have no clue about. A Jewish American Author named John Sack risked his career and even his life to tell the story of Jews who sought revenge in his controversial book An Eye for an Eye: The Untold Story of Jewish Revenge Against Germans in 1945. The story tells of Jews who oversaw prison camps in Poland under the Communist occupations. According to Sack, they not only sought revenge against German soldiers, but also innocent German and Polish civilians.

Sack states in his book that the revenge included torture and rape of women and children. Sack estimates 60-80,000 died in these camps. Sack interviewed one survivor named Lola, who was an official at the prison and lost most of her family in the Holocaust. She admited that they treated the prisoners much worse than she was treated at Auschwitz by the Nazis. Sack said "Lola at Auschwitz wasn't locked in a room night and day. She wasn't tortured night after night." She told Sack: "Thank God, nobody tried to rape us. The Germans weren't allowed to." But all of that happened to German girls at Lola's prison in Gleiwitz"

Solomon Morel who lost most of his family in the holocaust brutally oversaw the prison camp. Morel fled to Israel after the book was published. Israel has refused to extradite Morel to Poland to face war crimes.

Most major publishers refused to publish Sack's book and major media outlets ignored it once it was published. John Sack was villified by the Jewish Establishment, such as the Executive Director of the World Jewish Congress. He was labeled a self-hating Jew and even an anti-semite. Self Proclaimed fighter of Holocaust Denial, Deborah Lipstadt, stated, on "the Charlie Rose Show" that Sack was a Neo-Nazi and an anti-semite and told him personally he was worse than a holocaust denier, despite the fact that he shares the mainstream view of the holocaust.

The media and major Jewish organizations were opposed to the book because they percieved it as portraying Jews in a negative light, possibly stirring up anti-semitism and weakening their power to exploit the tragedies commited by the Nazis for their own political agenda. However these same organizations are promoting Tarantino's fictional film.

Sack's message from his book was not to promote hatred against Jews. Instead, the books purpose was to prove that Jews are no different from any other group of people who have suffered from persecution but aren't immune from committing autrocities against others.

Behind an Eye for An Eye: Revenge, Hate and History by John Sack

http://www.ihr.org/jhr/v20/v20n1p-9_Sack.html

[Note another book worth reading and related to post-WW2 crimes against Germans is A Terrible Revenge: The Ethnic Cleansing of the East European Germans, 1944 - 1950, by Alfred-Maurice de Zayas.

The author tends to avoid identifying the ethnicity of Jewish planners and perpetrators of the ethnic cleansing but always identifies Jews (with the exception of Lev Kopelev) opposing this crime. My blog entry Yom Kippur and Ashkenazi Genocidalism discusses an alleged Jewish war crimes perpetrator, who has so far escaped interrogation with regard to his activities at the end of WW2.]



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